New York: Harper & Brothers, 1834. First American edition, preceded by the London edition of the same year. NCBEL III, 263; American Imprints 23679; Lowe, English Theatrical Literature, 3542. The English poet Thomas Campbell (1777-1844) on Sarah Siddons (1755-1831), the great English actress, who was from the distinguished theatrical Kemble.....
London: Printed by Brettell for Appleyards, 1808. First edition. The first of three plays by Marie Therese Kemble (1774-1838), the Austrian-born English actress and mother of Fanny Kemble. She moved to England at an early age and became a popular child actress. She later married actor Charles Kemble, for whom.....
Oxford: Printed at the Private Press of H. Daniel, 1885. First Daniel Press edition, number 45 of 150 numbered copies. NCBEL I, 1699. An interesting later edition of a play originally entitled A Cure for the Cuckhold: A Pleasant Comedy, published by bookseller Francis Kirkman in 1661 and perhaps speciously.....
London: Printed for J. Tonson, 1724. First edition, first state with A4 not canceled. Rothschild 923; NCBEL II, 498; ESTC T13811. One of John Gay's lessor known works, a tragedy that met with little success and has been long overshadowed by The Beggar's Opera, but it has a clever, humorous.....
N.p.: n.p., 1800. First edition, second issue with the watermark of 1804. Jackson, Romantic Poetry by Women, page 15; Hazen, Strawberry Hill - Detached Pieces, 94: “certainly not printed at SH;” cf. ESTC T141564 for the first issue. A separately printed epilogue to Mary Berry’s play Fashionable Friends, a comedy.....
London: Printed for J. Roberts, 1743. First and only edition. ESTC T36850. An amusing satire on gambling and card playing at London’s clubs and coffee-houses, centered on the famous White's, which remains today, and on Edmond Hoyle’s recently-published Short Treatise on the Game of Whist (1742). The prologue is by.....
London: Printed for John Barber and Sold by Benj. Tooke, Henry Clements and John Walthoe, 1717, First edition. ESTC T38771; NCBEL II, 767. The last of three plays by Delarivier Manley (1663-1724), who was well known for her roman à clef fictionalized memoirs. The is plot is loosely based on.....